YEARS AROUND 2000 II

Mixed midea on canvas, 

100x35

After creating the work "Final Judgment" inspired in a Mosaic found in a Basilic of Venice, I decided to creat each figure separately.

As mentionated in the Text I wrote for an exhibition  :

The intervention of mascarated figures, involved in a strong chromatic spectrum , invite us to the observation and contemplation. Undestand here observation as what we see and contemplation as what we dicover when we become involved with what we see. The use of figuration, strong colors and fluid strokes appeal to different dimensions:

to the exterior world and the interior world, objective and subjective;

to the importance of wisdom in our lives;

for what we are and we should be;

for what we see and we stop seeing;

for what we are and we are not;

for what we feel or not;

in a word, figures who appeal to an inner space but also for a  possible transformation or outcome.